I photograph what cannot be seen.

I am certain that reality is not limited to what we see, but is continually generated by what we imagine.

I eliminate post-production to let light, time and space reveal a suspended reality, made of traces, voids and visions.

In my photographs, time is dilated, elastic, a container of multiple simultaneous actions and events.

Light is the first actor on stage, time is its stage, and photography makes this imagery real in an unrepeatable present.

My work is conceptual , where the idea precedes the form. By eliminating post-production and relying on photographic technique, my practice has a strong phenomenological component; the camera, as an instrument of revelation, becomes a portal to an invisible dimension, exploring time, space , and light . My research is structured within abstract surrealism and contemporary visionary art.

My poetics are inspired by the conceptual approach of James Welling and the light experiments of Thomas Ruff, focusing on "pure" photography that presents itself as a visual investigation of space and time. Through light and experimentation , my photography becomes visual thought, creating autonomous realities that transcend mimesis and transform the image into a pure concept, allowing only traces , clues , and suspended atmospheres to emerge .