My photography develops exclusively through the use of shooting techniques, without post-production. Through the direct and unmediated use of the photographic medium, I work with light and time as raw materials. Intentional blurring breaks the representational logic of the image and opens up a new visual space, where form dissolves and what remains is trace, presence, energy. My photographs do not show, but rather evoke; they are attempts to access normally invisible dimensions, to make the imperceptible visible. When time expands, when movement takes shape, colors fade, shapes merge with architecture, creating unpredictable worlds.