I intercept a reality not visible to our gaze.

My photography develops through the exclusive use of shooting techniques, without post-production through the direct and unmediated use of the photographic medium, I work with light and time as raw materials.

The intentional blur breaks the representational logic of the image and opens up a new visual space, where the form dissolves and what remains is trace, presence, energy.

My photographs do not show, but rather evoke, they are attempts to access dimensions that are normally invisible, to make the imperceptible visible.

When time expands, when movement takes shape, colors fade, shapes merge with architecture creating impossible, damned wonderful worlds.